Media Education Foundation

STRIPPED FOR PARTS tell the remarkable story of a handful of journalists fighting back against a secretive hedge fund that's gutting newspapers nationwide.

Stripped for Parts: American Journalism on the Brink
2026 (Educational release) | 2023 (Theatrical release) 01:28:39 This film has subtitles English

Stripped for Parts: American Journalism on the Brink

American Journalism on the Brink
A film by Rick Goldsmith

or

Stripped for Parts: American Journalism on the Brink

Synopsis

Stripped for Parts: American Journalism on the Brink is a presentation of New Day Films.


Hedge fund Alden Global Capital is quietly gobbling up newspapers across the country and gutting them, but no one knows why -- until journalist Julie Reynolds begins to investigate. Her findings trigger rebellions across the country by journalists working at Alden-owned newspapers. Backed by the NewsGuild union, the newsmen and women go toe-to-toe with their “vulture capitalist” owners in a battle to save and rebuild local journalism in America. Who will control the future of America’s news ecosystem: Wall Street billionaires concerned only with profit, or those who see journalism as an essential public service, the lifeblood of our democracy? Stripped for Parts: American Journalism on the Brink tells the remarkable inside story of the journalists fighting to ensure Wall Street doesn't get the final say.

Release Date:2026 (Educational release) | 2023 (Theatrical release)
Duration:01:28:39
Subtitles:English

Trailers

Watch the trailer

Filmmaker Credits

Producer
Lauren Kawana
Director of photography
Vicente Franco
Music by
Blake Leyh
Edited by
Eli Olson, Ken Schneider, A.C.E., and Rick Goldsmith
Written by
Rick Goldsmith, Michaael Chandler
Story and Editorial Consulting
Michael Chandler, ACE
Cartoons and Graphic Design
Kirk Anderson
Graphic Design
Matthew Baldwin, Todd Miro
Additional Camera
Adam Booher, Richard Chisholm, Carl Filoreto, Dana Kupper, Thomas Kaufman, Lindsay Pierce Martin, Dana Romanoff, Justin Schein
Sound recordists
Brian Albritton, Jonatan J. Cohen, Michael Coleman, Ray Day, Dennis Fry, Lee Frank, Geoff Gann, Hao Guo, Richard A. Jacobs Jr., Matt Sutton, Rodrigo Salvatierra, Robert Silverthorne, Shuling Yong
Assistant editors
Sage Brucia, JP Dobrin, Kitty Hu, Bria Light, Isabel Lyndon, Talia Mindich, Wangyuxuan Xu
Production Assistants
Jason Altomare, Hana Beach, Roland High, Carol Luna, Claire Mande, Carina Nieto, Theresa Newton, JQ Productions, Jordan Queen, Jackson D. Trombetti
Editorial consultant
Gary Weimberg
Writing consultants
Sharon Wood, Stephen Talbot
Transcription
Heather Larsen, Dan Lohaus
Post-Production Supervisor
Bria Light
Post-production consultants
Quinn Costell, Sage Brucia
Narration recording engineer
Alberto Hernandez
Voice coach
Jessica Berman
Additional voices
Lorri Holt, Will Parrinello, Jed Riffe
Post-Production Sound
IMRSV Sound
Supervising Sound Editor and Re-recording Mixer
Greg Francis
Assistant Sound Editor
Marc Leyda
Audio Post Supervisor
Michael Holbrook, CAS
Color grading
Mark Sterne
Legal consultant
Jaszi Butler, PLLC
Journalism consultants
Penelope Abernathy, Ban Brekke, Ken Doctor, Robert McChesney, Victor Pickard, Margot Susca, John Temple, Steve Waldman
Archival Producers
Rachel Antell, Jennifer Petrucelli
Archival Researchers
Emmy Schrlatt, Barbara Rosenthal
Archival Materials
9News, Aaron Ontiveroz, ABC 10, ABC 11, American Antiquarian Society, Ankato, AP Photo, Atlanta Journal-Constitution, Baltimore Sun, Bill Healy, Caleb Alvardo, Callum Fraser, Cara Gordon Kersting, CBS News, CBS This Morning, Center for Investigative Reporting, Charles Krupa, Chicago Tribune, Clark Coleman, Classic Image, CNN, Columbia Journalism Review, Craig F. Walker, Daily Freeman, Daily Herald, Dan Winters, Darren D. Carroll, Darren McCollester, Dave Krieger, David Rosen-CC, David Cole, Democracy Now!, Denver 7, East Bay Times, Editor & Publisher, Elizabeth Hernandez, Erik Carter, Esquire, Evan Brandt, F11photo@123RF.com, Famartin-CC, Flint Beat, FootageFile, Fortune, Fox Business Network, Fox News, Frontline World, Tony Gallagher, Gannett, Getty, Gonin, Hartford Courant, HBO, Helen H. Richardson, HuNPost, Hyong Chang, Imago History Collection, Janjaap Dekker, Jeremy Graham, Jerry Cleveland, Jerry Jackson, Jim Heaphy-CC, Joe Amon, John Oliver, Jose Carlos Fajardo, Julie Reynolds, Kathryn Scott Osler, KPIX, KRON4, KTVU, Library of Congress, Local News Matters, Long Beach Post, Marc Piscotty, MareTV, Mark Kurlyandchik, Matt Rourke, Matty Roberts, McGhiver-CC, Monterey Herald, National Association of Black Journalists, National Geographic, NBC Bay Area, New York Daily News, New York Post, New York Public Library, Nieman Lab, Olga Mueller, Orlando Sentinel, Orlin Wagner, Palm Beach Daily News, Pasapixel, Patrick McMullan, Penny Abernathy, Paul Aiken, PBS, PBS NewsHour, PBS SoCal, Pexels, Radharc Images, Realtor.com, Redfin, ReenactmentStock, Richard Cummins, Rick Loomis, RJ Sangosti, Rocky Mountain News, RT America, Sam Cox-CC, San Francisco Chronicle, Science History Images, Sequoia Reality Corp., Shallee M. Haynesworth, Strong4All, Taljat David, Tampa Bay Times, Tania Barricklo, Ted X, The American Prospect, The Atlantic, The Baltimore Sun, The Boston Globe, The Chicago Reporter, The Daily Beast, The Denver Post, The Green Bay News-Chronicle, The Jenerson R. Burdick Collection, The Journal Herald, The Mercury News, The Nation, The New York Times, The New Yorker, The News Guild-CWA, The Ledger Star, The Wall Street Journal, The Washington Post, Tina Fineberg, Tony Gallagher, United for Respect, Voices of Monterey Bay, Westword, WGN-TV, Witt Monts, WTTW Chicago, Zefart, Zenstratuspremium, Zimmytws, Zoonar GmbH, Zuma Press Inc.
Movies
Ace in the Hole, Dir. Billy Wilder; All the President’s Men, Dir. Alan J. Pakula; Citizen Kane, Dir. Orson Welles; His Girl Friday, Dir. Howard Hawkes; While the City Sleeps, Dir. Fritz Lang; Woman of the Year, Dir. Geroge Stevens
Impact Producers
Sara Needham, Impact Media Partners
Impact Coordinator
Grace Galletti
Major funding provided by
Jonathan Logan Family Foundation
Additional funding provided by
Present Progressive Fund, Nancy and Richard K. Robbins Family Foundation, Nancy Blachman, Rogovy Foundation, Berkeley Film Foundation, T.M. Scruggs, Rick and Roberta Cummings, Hannah Kranzberg, The Knight Foundation, Jewish Community Foundation of LA, Sheena and Vijay Vaidyanathan Fund, The Bill and Ruth Harnisch Foundation, Economic Hardship Reporting Project, Nathan Cummings Foundation Community Grant, Fleishhacker Foundation, Martin Goldsmitn and Jodie Zaricor, Andrea Lappen and David Smith

Film Festivals

United Nations Association Film Festival 2023

St. Louis Inter’l Film Festival
2023

Santa Fe International Film Festival
2023

Reel Work
May Day Labor Film Festival
2024

Double Exposure Film Festival
2023

Minneapolis St Paul Inter’l Film Festival
2024

Awards

Best Documentary, 2023 United Nations Association Film Festival

Rose F. and Charles L. Klotzer First Amendment Award for Free Speech in Service of Democracy, 2023 Gateway Journalism Review

Maysles Bros. Lifetime Achievement Award, 2023 St. Louis International Film Festival Society of Professional Journalists (SPJ)

NorCal Award for Documentary Film, 2024

Praise

“Stripped for Parts does exactly what a good socially conscious documentary should do —identifies an urgent problem, explains how we got here, why it matters, and, most important, considers what we should do about it.”

— Victor Pickard, Professor of Media Policy and Political Economy, University of Pennsylvania

“Goldsmith is an amazing storyteller, able to take the important and little-understood topic about how U.S. newspapers are being destroyed by corporate greed and explain it in a compelling way. Everyone in a community that is vulnerable to the loss of their journalistic “voice” needs to watch Stripped for Parts."

— Mike Blinder, Publisher and editor, Editor & Publisher Magazine

“Stripped for Parts is like a creepy horror movie, where the villain is a hedge fund that gobbles up newspaper after newspaper and proceeds to cannibalize them with gruesome efficiency. The plot twist is how those inside this particular house — reporters and editors — improbably band together to fight back.”

— David Barstow, New York Times investigative reporter and four-time Pulitzer Prize winner

“This documentary demonstrates in painful clarity why independent news organizations matter and why local news matters. At the same time, it rightfully champions the courage and commitment of journalists across this country.”

— Suki Dardarian, Editor and Senior Vice President, Star Tribune

“The collapse of local news is a deep threat to democracy and the fabric of communities. But we can't turn this around without comprehending how we got here. Stripped for Parts vividly shows the causes and consequences of the decimation of community journalism.”

— Steve Waldman, Founder and President, Rebuild Local News

Absolutely essential viewing for anyone concerned about the future of local journalism and democracy. A fire is raging inside the theater of local media and democracy, and Goldsmith’s film is the alarm bell we had better heed.”

— Thomas N. Gardner, PhD, Professor of Communication, Westfield State University

“The public finally has a documentary that clearly shows what has happened, and is still happening, to local news, while giving hope that the numerous nonprofit newsrooms starting up around the nation may restore some of what is being lost. This is a must-see film for anyone who cares about preserving and restoring journalism critical to our republic."

— Brant Houston, Journalism Dept., College of Media, U. of Illinois, Urbana-Champaign

“Rick Goldsmith admirably covers the proverbial waterfront in his well-made, thought-provoking chronicle about the fall of print journalism — and its possible rise again. Essential viewing for anyone concerned with the issue of freedom of the press in the period of late-stage capitalism.”

— Ed Rampell, Counterpunch

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